A Shout Out to an Advertiser

Posted on November 13th, 2007 in Uncategorized by invisibastard

There is no surer path to the poorhouse than running ads on your website. Even with reasonable traffic, I might be lucky to pull in a buck sixty a month. During a good month. Ad to that the fact that a lot of visitors are using adblock with firefox or are reading, not shopping, and you have a recipe for failure. Time spent writing posts or tweaking the site would probably be better spent collecting bottles or standing on the street with a sign in my hands. So it isn’t about the Benjamins. Who knows what it is about.

In that spirit, I’m going to try something new. I have an advertiser,  Absinthesupply, that I have always liked. During my normal three hour wake up routine this morning, I found an interesting article about Absinthe in the New York Times. It has a great history. Picasso drank it, as did Van Gogh (who threw a glass of it at Gauguin). I’m not going to plagiarize the article here. The point is that throughout history cool people drank it. So, if you want to be hip and avant-garde and at the same time fund my ramen noodle diet, read the article, come back and click the link. Or not. Whatever. Don’t blame me if you fail to capitalize on the chances of furthering your love life by looking cool serving Absinthe.

Click here for the link.

One more thing. I cannot drink alcohol, so if you have tried Absinthe, please leave a comment letting me know your experience. Does it live up to the hype?

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Essential Listening: J Mascis + the Fog “Free So Free”

Posted on December 9th, 2006 in Essential Listening, Uncategorized, dinosaur jr., mascis by invisibastard

Free So Free Now that I am an official old person, I sit by the campfire telling the youngins about the days when you could see a brilliant bands like Dinosaur Jr. , the Pixies or any of the K-tel “Sounds of the Nineties” bands for five bucks with a crowd of about a hundred. Then the bad things happened involving bratty 27 year old marketeers, Courtney Love, Douglas Copeland and finally beer companies and Tommy Lee. I woke up sober, creakier and dragged down by all the things I would imagine and fear as a stoned college kid… the job, the kids, the divorce, the brain surgery–your typical things that just didn’t seem as fun as burning a fat one and going to the bookstore.

Then J came back. It started with the excellent and highly recommended “More Light” from a few years ago, and then came full circle with “Free So Free”. The music is every bit as exciting and innovative as it was ten or fourteen years ago. At the time of this release I saw him for thirteen bucks with a crowd of about one hundred, just like the “good old days” that never existed but are nice to talk about as if they did.

J Mascis is on his game with this cd. Some songs rock like BIG ROCK SONGS. Others get funky and groovy. One does a neat trick that is even neater in concert. His guitar playing has never sounded better. His drumming has never been crazier or more freaked out, totally wrong in all the right ways. I think he is my favorite drummer and guitar player which means nothing to him or you folks reading this. I fancy myself an expert in these things, so you can take my word for it.

Ironically, the album has four songs about freedom, coming at the time when we were about to lose a lot of ours. GO RED WHITE AND BLUE!

The first song is “Freedom”, meaning when you put the cd in the player it will most likely be the one you hear. It has a disco beat that is completely unexpected but works. The guitar work is short and riffy. There is a weirdo tempo change that makes me love him and give the teens a chance to mosh. You can change the words in the chorus (if you sing along) to “Frida” and make it about Ms Kahlo.

If thats How its Gotta be” is a pretty song that features the trick that was cool live. J is pretty open here, the lyrics are poignant:
“and i ran away from livin,
thought i wanted it that way
every step i should be givin
but i’m stuck feelin this pain
if thats how its gotta be……”

It is a soft acoustic song that he sings very well.

Set us Free” has great drums and the chorus is like a mantra. It will bring you peace. It has great lyrics near the end, but I can’t find them anywhere to quote them directly. You are going to have to trust me.
Bobbin” is a bouncy song that isn’t afraid to Rock. The drums are fun as hell, like chasing midgets through a field.

Free so Free” is wonderful. It has a laid back grooooove. J sings about conflicted love. His voice is multitracked for a unique and soulful sound. The guitar work is varied, one moment he is playing an amazing solo, the next doing a lovely acoustic thing, then back to a solo that exposes the heart of god that is hiding in all things. The feeling he plays with on this song is inspiring.

Everybody Lets Me Down” is the best song he has ever done. Everything that is great about his work comes together and gels in this song. It starts with a goofy wurlitzer (not the Prozac Nation author) and J singing in falsetto. The drums kick in, the song speeds up and the lyrics codify some of my most mixed up life philosophy.

“… any time it seemed okay
had to wreck it, couldn’t wait
i know there’s something better
oh no…
(chorus)
everybody lets me down
all this time i’m never found
everybody lets me down
i go outside and look around
i never quite set on the ground”

The guitar solo is perfect and shouldn’t be sullied by description. It is a great song to drive very fast down an open road to.

Say the Word” is four minutes of the best guitar and drums he has recorded. J said in an interview that having his own studio freed his songwriting in that he didn’t have to worry if his drummer was capable of playing what he was writing, and this song shows that freedom. His drumming matches the wild spirit of the guitar work perfectly and provides one the most creative jams I have heard.

The rest of the songs are great. “Someone said” is a soft song that is prophetic. “Outside” has J singing slightly different and it is one of his best vocal performaces. “Tell the Truth” is another great rock song with effed up tempo going on.

To sum it up, this may be the best music J Mascis has made. He has grown as a songwriter and musician. It is good to see that the nieve belief I had in some of these musicians when I was younger wasn’t wasted, that J and others have proven to be formidable creative forces over the long term. The reunited original line-up of J, Lou and Murph proved their relevance on their recent tour and their new album will drop in the spring. This album showcases J at the top of his game.
Now go buy it. If you live in the northern areas, don’t forget to wear a hat, you don’t need to catch a cold.

Thank you.

 

Essential Listening: Mark Eitzel “The Invisible Man”

Posted on December 8th, 2006 in Classics, Essential Listening, Uncategorized, Unknown but Great, american music club, eitzel by invisibastard

The Invisible Man

“With your hand over your heart and your boy scout face you win a new merit badge for a weakness for faith for a love of strangers for a love of dangers that most people don’t feel because they don’t really feel they’re like tables and chairs they’re like forks and knives they’re like plains and trains hear ‘em bump in the night and their souls aren’t talking they just wash up on the bank and there their souls are beautiful…”

-To The Sea

Nobody writes songs like Mark Eitzel, lead singer of American Music Club. The Invisible Man holds up with the best of his work. The songs are sad, glad, funny, bitter, intelligent and intensely human. His honesty springs from a place in each of us that few of us like to go to, a place where we make mistakes that are not easily redeemed, where we stand naked and ashamed knowing the face we show the world is as much a stranger to us as it is to everyone else. They are great songs. He has modernized his sound without losing any of its soul.

The Boy With The Hammer
Mark goes in a different direction on this song. There is a dance beat, with ominous piano and electronic effects. The lyrics are strange and poignant. “…and then the Colonel starts playing tambourine- it was so funny we’re rolling- we were laughing in the face of the pain of the family next door too fucked up to feel anything.” The chorus is simply, “if that’s what you want- well its nothing.”, which lends itself to a few interpretations.

Can You See
This is a pretty, fleshed out song. Instruments include trumpets, keyboards, horns, organ, guitar, a lovely Bass Clarinet and a (non-Elizabeth) Wurlitzer. It stands out against the simplicity of the other songs. He sings of love in terms that only he can.
“…your bumping wings with far too many others wearing your outfit that you stole from your endless supply of reflections and self disgust and you don’t have any belief in whats worth your love and trust so you scatter your riches like a mirror ball that’s covered in dust with the vain understanding that some of the light would stick…”
Mark sings the song very intimately. His delivery fits his words well. The chorus, “the truth is that I’m happy when I’m with you”, says a hell of a lot with few words.

Christian Science Reading Room
This is an interesting song. I would say more, but the Christian Scientists might read it and come bust my ass up.

Sleep
A fair amount of electronic effects on this song. It is sung softly, a contrast to his live version which was passionate and intense. Wonderful words throughout the song, including the outstanding “goodness is not some pretty picture you paint - its shaking your fist into the face of danger”.

To The Sea
I quoted this to open the review. This is one of those songs that I listen to and feel like The Unbeatable Karate Hero. The song is based on a simple and strong piano. The lyrics are sung like a reporter, passionless but still vulnerable. I wish I didn’t understand the last lines so well.
…you thought I was busy well I was just busy running running from your beauty some run from the devil some from their own history some run from their hopes and some run to the see. Stupid don’t you agree?”
The song conveys waves crashing with a relentless urgency.

Bitterness
A Mark Eitzel song named Bitterness is a sure bet for a good song. It starts solemnly, breaking into a dance groove that features a keyboard sound “invented by Vudi” according to the liner notes. The music is upbeat and the lyrics are dark. If you want to dance to the words “I don’t know if I will ever love again.” sung with a matching stark piano under a dance groove over and over, then this song is for you. It is outstanding.

Anything
A beautiful song sung wonderfully. What he does with the music is so interesting that I can’t do it justice by describing it. Just listen to it closely.

Without You
This song reminds me of Mark’s American Music Club days. He shows how rich and beautiful his voice is in one of his best vocal deliveries. The horn section is used effectively. The lyrics are sad and lovely. It is a great song to continue to avoid quitting smoking again to.

The Global Sweep Of Human History
Classic Eitzel lyrics on this song.“…if you dismiss me with a smile I’ll break all your teeth and all your fun if you dismiss me with a frown I’ll make sure you never forget your pain if you dismiss me with a frown if you dismiss me with a frown I’ll crawl like a virus through your brain…”
Excellent acoustic guitar and continued electronic embellishment. It is sung pained and emotionally. I can’t say enough about how he realizes his lyrics through his music on this album, particularly on this song and “Anything”.

Proclaim Your Joy
He wrote this in five seconds as a joke, and it is an outstanding song. Imagine R.E.M’s “End of the World as We Know It” written intelligently and done as a good song and you get the idea. There is a rapid fire intelligence and humor in the lyrics, the delivery is fun. AMC’s Vudi plays great guitar, the ever present electronic music adds so much, and Mark sounds like he is having fun. A great way to end the disc.

I recommend this cd highly. In this world where the music industry in intent on killing itself by restricting what we hear and how we access it, it is almost impossible for people to get exposed to the people out there making music that means something. You probably won’t hear Mark Eitzel on Clear Channel or see him on MTV. It is a damn shame, because artist like him are really what make this country great. We miss out on these additions to our cultural heritage in our rush to see the next commercial and catch the next buzz phrase.

Check out his outstanding website: http://www.markeitzel.com

Thank you.

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Welcome to InvisibastardDotCom

Posted on November 25th, 2006 in Uncategorized by invisibastard

Welcome to Invisibastard.com. We are getting set up. In the meantime, here are a few nice pictures of our lovely city, Detroit. Come and visit.

pmoverrencenliving on the lake 2ladyinghettobadshape